Whats your' latest gear acquisition?

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glasshand
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After 30 years of playing guitar, I have finally gotten an acoustic - a used Ovation. I'm not even sure of the exact model, but it's one of the multi-hole models with the curved back, which I think makes it a Celebrity. Pictures will follow when I've gotten it cleaned up a bit, since it clearly hasn't gotten much love for years!
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glasshand
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Cleaned up and restrung! I'm not even sure exactly which model this is, although I think it's a 1990s Korean-made instrument. Apparently certain ranges of Ovations had serial numbers that are largely useless for detective work because they followed no pattern and only meant something to the particular factory doing the work, or something. The guy who sold it to me said it was a CE44, but I'm pretty sure it is not, although it's similar.

The guitar was filthy when I got it, and clearly unloved, although structurally sound. I think it might have still had the original strings on it. The electronics are non-functional and the access door is missing, although the access door is an easy fix and I think the electronics are eminently fixable too; I've already confirmed that they power on and the tuner works. Looking at them, I can almost tell what happened - a cheap cable broke off in the jack, somebody took out the jack to try and fix things, and ended up breaking a wire going to the jack. With any luck, five minutes of soldering and replacing the jack nut, and we're back in business electronically. Sounds good acoustically already!

Fury is unimpressed, though.
Ovation-by-couch.jpg
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RiverDog
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Perfect Stranger wrote: Fri Jul 10, 2020 7:33 am I got a new Pedal.......Walrus Ages

Image
The image doesn't work for me but that may be my ad blocker or something.

I've been seriously GASsing for that pedal since it was introduced. It seems super versatile and that Dry control is a killer feature. Enjoy!
Aaron
---------------
"What is perfect pitch?"
"Perfect pitch is when you toss a banjo into the dumpster, it hits an accordion and they both break."
golem
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Trying to delete the double post.
golem
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I just picked up a Lincoln Brewster signature. I think someone on here said they got one (on the .com incarnation of our forum) and clued me in to a guitar with pretty amazing specs. I'm quite certain this one is a keeper. It's just so versatile with the boost/eq controls built-in. I love the Dimarzio areas, locking tuners, and the compound radius.

I'll likely put the Sterling James Valentine and the G&L Legacy HSS on the market. I might even consider getting rid of the Ibanez AZ. I like it that enough that I could see myself using those three quite a bit less. It's hard to say though, that AZ is pretty cool. I just have a feeling that I'd play this more.

We'll see if I'm just in the honeymoon period.

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zisme
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Another item for my build project :geek:

Mastery OMV Kit. They put together such a nice little package too!
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frogs love to eat flies,
the devil's name, Beelzebub, lord of the flies
evil spirits love to spiritually feed upon those whom Beelzebub rules

joined AGF March 20, 2013
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voodoorat
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Bought this from my step-nephew. I think he thought it was higher end than it is and gave me a great deal but I think it's actually just an average price (or maybe slightly higher than average due to some cosmetic issues).
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Pretty sure it's a 2005 Martin GC MMV (D16-size 'custom' featured-deleted Guitar Center custom run).

It's got a few cosmetic issues, the most obvious of which are discoloration on the headstock from a left-on capo and a significant ding on the top binding.

It sounds pretty good although I put 013 gauge strings on it and it's binding the g string at the nut. I think I'm going to replace the saddle and bridge pins and maybe the nut too and when I do I'll probably roll it down to some 012 gauge strings. Sounds very different from the Taylor and the Washburns although I think they all sound good in different ways.

One more:
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Spike
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Needed to buy a keyed alike entry door set for the house so while I was shopping, why not add a cheap condenser mic... Really didn't need it but it's not really about need now is it?
heimu mic.jpg
To give anything less than your best, is to sacrifice the gift
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BrianSkeezer
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My awesome wife decided she'd get me this for an early birthday gift, since I'd been watching videos and debating on whether I really wanted one for the past few months.
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I have a Zoom G5 that I really like, and I was hoping this would be an upgrade to that. I don't really care for the sounds going direct into my Zoom R24 when recording with the G5, but I did like the direct sounds on the videos that I watched with the PODGo, and it's supposed to be the same basic sounds as the Helix. I got it from AMS for a price that I think was fair ($15 under what they're currently going for). It arrived right after I left for work yesterday afternoon, so I got to play around with it a bit late last night.

At first, I really wasn't impressed. The footswitches are assignable to different effects models in the unit, but you can really only assign 4 effects to the patch because the amp, cab, eq, effects loop, and expression pedal take up the other 5 spots. For instance, I built a patch similar to my favorite on the Zoom. On the Zoom, I have a noise gate, light overdrive, "Governor" model, Twin amp/cab model, and 2 different reverbs (1 of which is always on). I also have 2 more open spots on the patch, along with the expression pedal assignment and the "Tube Booster" for a lead boost. On the PODGo, I have the volume pedal (mandatory expression), noise gate, light overdrive, heavier overdrive, Twin amp model (mandatory amp), effects loop (mandatory), reverb, EQ (mandatory) then Twin cab model (mandatory cab), with no open slots left. After going through the manual, I was able to set up some snapshots of my patch, so that one switch turns on multiple effects, and I realized that I could use my G5 in the effects loop if I needed to. By 2 o'clock this morning, I was liking the unit a little more. I plan on messing around with it a lot more this weekend to tweak the sounds for my amp and direct into the Zoom R24.
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jtcnj
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You guys with guitar gear supportive wives / gfs, etc. - priceless.
Mine, more dagger eyes and eye rolls than open D, E, A, and G chords in AC/DC songs.
Old AGF since Feb. 2015; refugee of the Great MOMO Purge of May 2020.
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nomadh
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Gearlist: My Gear:Electric
Gibson '13 studio dlx hsb
Gibson '79 flying V
Gibson '06 sg faded
Gibson '15 LP CM w gforce
Epiphone Casino coupe
Epiphone dot studio
Fender USA strat w mjt body _w Original body 81
Fender lead II
Firefly spalted 338
Squier affinity tele bsb
Squier strat std relic
Squier subsonic baritone
Agile al2500 albino
Agile al3001 hsb
Sx ash Ltd strat
Sx ash strat short scale
Sx ash tele
Sx callisto jr
Dean vendetta
Washburn firebird. Ps10
Johnson trans red strat
Johnson jazz box Vegas
Seville explorer
Inlaid tele
flametop bigsby tele wood inlaid neck
23

Acoustics
new Eastman acoustic
Sigma dm3 dread x2 (his and hers)
Fender 12 str
Ibanez exotic wood
Silvercreek rosewood 00
Ovation steel str
martin backpacker acoustic
Johnson dobro

glasshand wrote: Tue Jul 14, 2020 8:14 am Cleaned up and restrung! I'm not even sure exactly which model this is, although I think it's a 1990s Korean-made instrument. Apparently certain ranges of Ovations had serial numbers that are largely useless for detective work because they followed no pattern and only meant something to the particular factory doing the work, or something. The guy who sold it to me said it was a CE44, but I'm pretty sure it is not, although it's similar.

The guitar was filthy when I got it, and clearly unloved, although structurally sound. I think it might have still had the original strings on it. The electronics are non-functional and the access door is missing, although the access door is an easy fix and I think the electronics are eminently fixable too; I've already confirmed that they power on and the tuner works. Looking at them, I can almost tell what happened - a cheap cable broke off in the jack, somebody took out the jack to try and fix things, and ended up breaking a wire going to the jack. With any luck, five minutes of soldering and replacing the jack nut, and we're back in business electronically. Sounds good acoustically already!

Fury is unimpressed, though.

Ovation-by-couch.jpg
Nice. I'll have you just skip the irritation with ovations and put a permanent strap on it. The rounded part will keep wanting to slide flat on your leg and drive you crazy.
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nomadh
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Gearlist: My Gear:Electric
Gibson '13 studio dlx hsb
Gibson '79 flying V
Gibson '06 sg faded
Gibson '15 LP CM w gforce
Epiphone Casino coupe
Epiphone dot studio
Fender USA strat w mjt body _w Original body 81
Fender lead II
Firefly spalted 338
Squier affinity tele bsb
Squier strat std relic
Squier subsonic baritone
Agile al2500 albino
Agile al3001 hsb
Sx ash Ltd strat
Sx ash strat short scale
Sx ash tele
Sx callisto jr
Dean vendetta
Washburn firebird. Ps10
Johnson trans red strat
Johnson jazz box Vegas
Seville explorer
Inlaid tele
flametop bigsby tele wood inlaid neck
23

Acoustics
new Eastman acoustic
Sigma dm3 dread x2 (his and hers)
Fender 12 str
Ibanez exotic wood
Silvercreek rosewood 00
Ovation steel str
martin backpacker acoustic
Johnson dobro

golem wrote: Tue Jul 14, 2020 6:16 pm I just picked up a Lincoln Brewster signature. I think someone on here said they got one (on the .com incarnation of our forum) and clued me in to a guitar with pretty amazing specs. I'm quite certain this one is a keeper. It's just so versatile with the boost/eq controls built-in. I love the Dimarzio areas, locking tuners, and the compound radius.

I'll likely put the Sterling James Valentine and the G&L Legacy HSS on the market. I might even consider getting rid of the Ibanez AZ. I like it that enough that I could see myself using those three quite a bit less. It's hard to say though, that AZ is pretty cool. I just have a feeling that I'd play this more.

We'll see if I'm just in the honeymoon period.

Outstanding demo. I'll have what hes having :)
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glasshand
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nomadh wrote: Fri Jul 17, 2020 12:37 pm Nice. I'll have you just skip the irritation with ovations and put a permanent strap on it. The rounded part will keep wanting to slide flat on your leg and drive you crazy.
That's what everybody says, but I haven't actually had too much trouble with it. It doesn't sit as nicely as a regular flat-sided acoustic, but it does have a semi-flattish part at the bottom, so it's tolerable. That said I did put a strap on it right away because of my fear that it would slip and I'd drop it.
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t100d
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Location: Bainbridge Island, WA
Gearlist: '62 Guild T100D Slim Jim
'76 Ibanez 2405 Custom Agent
2004 Ibanez SA220EX
2009 Douglas WNO 630
2019 Peavey JF1
2021 Indio Retro Tele

'70 Gianninni Craviola

Córdoba Mini II EB-CE
Aria A542F
Takamine TC132SC
Rivera BC-394C

'70's Hohner PJ fretless bass
'84 Ibanez Roadstar II bass w/ SX Ursa neck

YouRock Midi guitar

Fender Acoustasonic 40
Fender Mustang III
Vox DA5
Monoprice 40W SS w/ 10" speaker

glasshand wrote: Fri Jul 17, 2020 2:17 pm
nomadh wrote: Fri Jul 17, 2020 12:37 pm Nice. I'll have you just skip the irritation with ovations and put a permanent strap on it. The rounded part will keep wanting to slide flat on your leg and drive you crazy.
That's what everybody says, but I haven't actually had too much trouble with it. It doesn't sit as nicely as a regular flat-sided acoustic, but it does have a semi-flattish part at the bottom, so it's tolerable. That said I did put a strap on it right away because of my fear that it would slip and I'd drop it.
Yeah, that used to drive me crazy, too … a coupla ideas …

https://www.ebay.com/itm/Ovation-Guitar ... xyMxJSMHUC

or https://acousticguitarcabin.boards.net/ ... ation-slip
"Anyone who understands jazz knows that you can't understand it. It's too complicated. That's what's so simple about it."
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mkgearhead
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My Epi ProBuckers and harness finally arrived for my Firefly LP and I picked up a Cherryburst Squier Standard Strat yesterday.
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UrenragK
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Got a sweet new strap from [mention]TVvoodoo[/mention]



And picked up a couple of sets of these to try out.
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Rollin Hand
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I don't think I could even play 7s. I have a hard enough time with 9s tuned to Eb. My usual is 9-46 these days.

And my latest gear acquisition might not show until November. Ugh!
"I'm not a sore loser. It's just that I prefer to win, and when I don't, I get furious."
- Ron Swanson
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UrenragK
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Rollin Hand wrote: Mon Jul 20, 2020 2:51 pm I don't think I could even play 7s. I have a hard enough time with 9s tuned to Eb. My usual is 9-46 these days.

And my latest gear acquisition might not show until November. Ugh!
I don't know if I can yet! We will see next string change! :D
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Rollin Hand
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Well, those strings will need a light touch.
"I'm not a sore loser. It's just that I prefer to win, and when I don't, I get furious."
- Ron Swanson
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voodoorat
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I switched back to mostly 9’s after playing 10’s and a lot of acoustic the past several years and I’ve broken a couple of high e strings bending which I hadn’t done in ages. They feel and sound good otherwise though. Never tried 7’s.


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voodoorat
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I found a monoprice 15w tube amp on local market for $150–same thing i paid for mine new a few years ago.

I did this to it.
IMG_1782.jpg
My spark amp finally got delivered yesterday but I haven’t opened it yet.


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Flatline
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voodoorat wrote: Tue Jul 21, 2020 10:50 am I found a monoprice 15w tube amp on local market for $150–same thing i paid for mine new a few years ago.

I did this to it.

IMG_1782.jpg

My spark amp finally got delivered yesterday but I haven’t opened it yet.


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So you cut it down and made a head out of it. What are the black stripes to hide the cuts? Picks of the sides/back?
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voodoorat
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yeah, the cut is under the bottom tape. originally i wanted to do it cleaner and not cut any tolex but i don't have a good way to do a 45 degree cut anyway so in the end i used a jigsaw (!) to cut it straight enough to glue (there's a little bit of extra structural integrity with wood panel on the back that was there already that i cut around and screwed to the sides). the two top pieces of tape are just cosmetic to make it kinda symmetric, they aren't covering anything.

side and back:
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could have been a whole lot cleaner if i had a table saw, but i didn't care a ton what it looked like and had a jigsaw so this is what i get. the grill was the hardest part really, i cut down the removable panel (usually goes over the tubes) from the back, salvaged the grill cloth from the speaker baffle and stapled it on that thing then wedged it in there. it already had the vent in the middle and was the right width so i just had to cut the height a little (again, though, with a fucking jigsaw).
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voodoorat
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i did think about trying to use some of the removed tolex to cover the slice but i'm not sure that would look any better than the tape and might look worse. the particle board under there is pretty ugly, if i ever do get proper tools i'd probably rather make a whole new enclosure out of real wood.
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Flatline
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New Monoprice 112 cabinet came today. Surprisingly, it also came with a 2 button foot switch instead of the speaker cable I was expecting. So, I ran to the local shop and picked up a cable. The Monoprice 15 watt tube amp run through the new cab with the Vintage 30 speaker sounds great. The stock speaker is okay, but can sound boxy to me. The 2-button foot switch work with my amp. Button 2 controls the reverb on/off which is a nice bonus. I am looking for a reverb pedal since the build in reverb is just okay.

Attached is the new cab, amp, and current pedal board setup.
IMG_20200721_203334346.jpg
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