I used two guitars to track this tune, an EVH 5150 Standard on the left, and a Jackson Pro Series Soloist on the right. I tend to bitch a lot about ceramic humbuckers, and about how much I prefer A2 PAFs . . . but gosh darn do the Duncan Distortions in that Jackson have good tone.
HAIR METAL!!!!
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Some great playing throughout, and you definitely hit the hair metal thing ( I think of Keel ) but I also get a little Alice Cooper/dark metal mixed in myself. I am not a songwriter by any stretch of the imagination, so most of my "reviews" come from me comparing/contrasting what I hear to other thing's I've heard - no offense ever intended by suggesting anyone's music sounds ( or doesn't ) sound like something else.
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I definitely hear some EVH-like tone in your rig.
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ok so this was fantastic!!! Early hair metal vibes - some Mötley Crüe type sounds. Excellent!
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Thanks. I appreciate the feedback and it's always interesting to know what others are hearing in a piece of music I create.uwmcscott wrote: ↑Wed Feb 08, 2023 2:52 pm Some great playing throughout, and you definitely hit the hair metal thing ( I think of Keel ) but I also get a little Alice Cooper/dark metal mixed in myself. I am not a songwriter by any stretch of the imagination, so most of my "reviews" come from me comparing/contrasting what I hear to other thing's I've heard - no offense ever intended by suggesting anyone's music sounds ( or doesn't ) sound like something else.
Though I was not thinking Alice Cooper when I made the song, I think you're spot on with that reference, especially if you're talking around the era of the Trash album. I don't even know who plays guitar on that record, but those tones and licks are killer and definitely have a home in the data files of my brain.
Regarding the songwriting process, Amanda (the singer) came to me with a fully composed set of lyrics with the vampire subject matter. This prompted me to make the music more "dark." Actually, the earliest demo version of the tune has more of a Danzig vibe. It might be interesting to go back and follow through in developing the song along that path.
“There are only two means of refuge from the miseries of life: Music and Cats!” Albert Schweitzer
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I take that as a compliment, as I consider Eddie's tone circa 1978-1984 as the gold standard for hard rock music.
My entire "rig" for this recording was:
EVH 5150 Standard (Jackson Pro Series Soloist) → Bogner Ecstasy Pedal → 65 Amps London → Marshall Celestion Vintage 30 → Shure SM57 → Golden Age Pre 73 → Apogee Duet → Logic
“There are only two means of refuge from the miseries of life: Music and Cats!” Albert Schweitzer
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Thanks. Yes, the main riff definitely has a Mötley Crüe "Live Wire" type tension going in.
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Good one. Vocal harmony and use of delay was nice.
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