I think I nailed my final tweaks to my own design, the AMI 20 pictured below. I noticed that since I used a HiFi tube amp as the platform, the HFi output transformer was wicked efficient and had a frequency range much better than the average guitar amp. This made my amp 'boomy' in the low end. Clear and tight, but a ton of low frequencies.
I also changed some tube choices to get the gain structure a certain way. It resulted in a really big, open tweed tone. It is touch sensitive, with harmonics and bloom. But I somehow got around the headroom tradeoff that typically occurs with that. It sounds like a 100w tweed amp and is very pedal friendly. The closest tone I can remember to it would be my friend's Marshall JTM 45 Offset Reissue. I am most happy with it!
For the gear geeks, it has 1 channel, 1 volume, treble control, mid control (internal), a bass control and a presence control (on back). 1st stage is a GE white-star 5751 (volume and tone), into a Groove Tubes 12AX7 (cathode-follower), into a GT 12AT7 inverter, into 2 Gold Lion KT-66 output tubes. I have a switch that takes the B+ voltage down by 35% via a 25w Zener diode. I never clocked it, but would think this brings it down to the 15w range - still very loud.
All point-to-point hand-wired. Mostly reclaimed vintage parts.
I have it feeding 2 Fender Bandmaster cabs, one with 2 Celestion UK Greenbacks (55Hz) and one with 1969 era Celestion G-30H (75Hz). For reference, this is as loud as a Vox AC30.
Pics:
AMI 20
- andrewsrea
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- Gearlist: 28 Guitars: (2) basses, (2) acoustics, (3) hollow bodies, (3) Semi hollow, (1) Double-neck, (17) Solid-bodies
Live life to the fullest! - Rob
- andrewsrea
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The KT-66's weren't being pushed hard with all the 9-pin's being 12AX7, as they were all compressing. Popped in that 5751 and 12AT7 and I am hitting the KT-66 with more grid current. The sound is awesome.
To your point, I can easily put 6V6 in the output. The output is cathode biased and the max voltage is 370VDC.
Live life to the fullest! - Rob
- dearlpitts
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Wow