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Tried my hand at David Gilmour's famous solo from Another Brick In The Wall. Still haven't gotten my Hiwatt back in action, so this one was done using the little Vox MV50 Clean and my Ibanez AT10P.

Used the Free the Tone Firemist Overdrive on this one along with my Subdecay Echobox Delay, Subdecay Super Spring Theory Reverb, and Carl Martin Compressor.

https://clyp.it/jhi0pz0d

And the guitar:

Nailed it! Gilmomo approved

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zisme wrote: ↑Sun Jun 07, 2020 10:02 pm Nailed it! Gilmomo approved

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Thank you sir! I usually try not to go note for note on these, but certain ones that are really masterpieces I try to stick very closely to the original.

Man I think you nailed the tone. Nice feel, too.

slowhand84 wrote: ↑Mon Jun 08, 2020 12:35 am

zisme wrote: ↑Sun Jun 07, 2020 10:02 pm Nailed it! Gilmomo approved

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Thank you sir! I usually try not to go note for note on these, but certain ones that are really masterpieces I try to stick very closely to the original.

Sounds great! And you're right about certain solos - Gilmour's are compositions unto themselves, and not just a bunch of pointless pentatonic noodling. You know - like my solos. They should not be messed with in any substantive way.

jhull54 wrote: ↑Tue Jun 09, 2020 11:49 am Man I think you nailed the tone. Nice feel, too.

Thanks man, appreciate you taking a listen!

Stig wrote: ↑Tue Jun 09, 2020 12:23 pm

slowhand84 wrote: ↑Mon Jun 08, 2020 12:35 am

zisme wrote: ↑Sun Jun 07, 2020 10:02 pm Nailed it! Gilmomo approved

Sent from my SM-G973U using Tapatalk

Thank you sir! I usually try not to go note for note on these, but certain ones that are really masterpieces I try to stick very closely to the original.

Sounds great! And you're right about certain solos - Gilmour's are compositions unto themselves, and not just a bunch of pointless pentatonic noodling. You know - like my solos. They should not be messed with in any substantive way.

Absolutely. The guy really can say a lot more with one note than most people can in 100. Going to be working on a clip of Money next!

Outstanding job! I am happy for you, and envious for me.

Sounded like the real thing!! Most excellent.

Excellent!
Sounded very Davey Gilmomoish to me!

Thanks all for taking a listen, it's been fun to do these recordings during this rough time to stay positive and there'll be more popping up here soon

damn slowhand, you nailed it. The playing, tone, and feel are spot on. Great job! I'm jealous.

Perfect

Really fine work. The man can play and you did it justice. Sounded like something he would do live. Jealous over here.

Narsh wrote: ↑Wed Jun 17, 2020 9:34 pm damn slowhand, you nailed it. The playing, tone, and feel are spot on. Great job! I'm jealous.

Thanks man! Means a lot coming from a solid player like yourself!

SamIV wrote: ↑Sat Jun 20, 2020 10:02 pm Really fine work. The man can play and you did it justice. Sounded like something he would do live. Jealous over here.

Thanks Sam! Really love learning DG's stuff, when I listened to him play as a kid it didn't seem like anything particularly hard to play to me but turns out it's all in the little nuances. Glad you enjoyed it!

Loved it @slowhand84, I had an ibby and sold it (neck too wide/thin) but the thing got some great strat tones.

Razzle wrote: ↑Mon Jun 22, 2020 7:53 pm Loved it @slowhand84, I had an ibby and sold it (neck too wide/thin) but the thing got some great strat tones.

Thanks Razzle! I too usually avoid Ibanez due to the super thin necks, but this particular guitar has a neck that's closer to a comfy strat shape and not at all like their usual "Wizard" profile stuff. It's kinda similar to the old Ibanez Blazer models.