Teach me the ways of tone
Posted: Tue Jul 07, 2020 1:33 pm
This question encompasses both amps and effects so I decided to put it in the Water Cooler... If it needs to go somewhere else, my apologies.
Anyway. My question is on the way amps/pedals clip the frequency spectrum of the guitar string. I have two songs by Alter Bridge, both in drop B-flat tuning.
In Come To Life, it sounds to me like the entire spectrum of the string is being overdriven. The clipping envelops the entire tone. The Rockman modules are another example of this. Everything going in gets distorted and the core sound of the guitar is almost completely overpowered.
In Farther Than The Sun, though the tones are very similar, it sounds to me like much more of the natural resonance or "twang" of the string is making it through the clipping stage unaltered, as if the clipping is only happening on 1khz and above. It sound much more natural. "Transparent" maybe?
Does this make any sense the way I'm describing it? What principle of tone am I investigating here? I'd like to construct a tone that operates more like the second example, leaving the pure resonance of the string recognizable while adding bite to the upper frequencies. What are the buzz words to look for in my equipment choices?
Anyway. My question is on the way amps/pedals clip the frequency spectrum of the guitar string. I have two songs by Alter Bridge, both in drop B-flat tuning.
In Come To Life, it sounds to me like the entire spectrum of the string is being overdriven. The clipping envelops the entire tone. The Rockman modules are another example of this. Everything going in gets distorted and the core sound of the guitar is almost completely overpowered.
In Farther Than The Sun, though the tones are very similar, it sounds to me like much more of the natural resonance or "twang" of the string is making it through the clipping stage unaltered, as if the clipping is only happening on 1khz and above. It sound much more natural. "Transparent" maybe?
Does this make any sense the way I'm describing it? What principle of tone am I investigating here? I'd like to construct a tone that operates more like the second example, leaving the pure resonance of the string recognizable while adding bite to the upper frequencies. What are the buzz words to look for in my equipment choices?